Recordings and Reviews


Excerpts from Various Performances

Britten, ‘The Golden Vanity’

Song in the City, 7 July 2012

Tracks from ‘The Rieger Organ of St Marylebone Parish Church


Dolgellau Music Club, 1 November 2013
‘Gavin Roberts gave …. an eloquent rendering of Brahms’s Intermezzo Op 118 No 2. His musicianship was in evidence throughout the evening in his perfect consonance with the singer’s timing and dynamics, and also in the space he allowed round key phrases, for instance in Strauss’s ‘Morgen’ – a matter not so much of counting beats as of responding inwardly to the poetry….. an encore set the seal on a most polished recital by this amiable and highly expressive duo’ (Recital with Soprano Lucy Hall) – Cambrian News

Sheldonian Theatre, Oxford, 21 June 2012

‘Schubert’s Rondo in A, D.951, fizzily interpreted by the night’s two pianists (Gavin Roberts and Elizabeth Burgess).’ – Oxford Times

Barbican Hall, 7 April 2011

‘Sibelius’s songs are amongst the best-kept secrets of Finnish music and….display a good grasp of piano technique and provide an excellent foundation for the construction of the vocal lines…. Samantha Crawford and Robert Elibay-Hartog…. were both perfectly partnered by Gavin Roberts’ – Seen and Heard International

‘A selection of Sibelius’s songs made use of some wonderful texts, each a story of love or loss. Gavin Roberts supported both singers excellently.’ – Classical Source

Chandos Chamber Choir, Brahms’ German Requiem with Piano Duet, 28 June 2008

‘The duettists, Jonathan Lee and Gavin Roberts made a perfect combination. They obviously relished their task, eliciting wondrous sonorities and brilliance from the St Peter’s Kawai Grand, and responding to the changing moods in the music – at times calm and reflective; at other times passionate and intense – always in perfect synchronisation with the choir.’ – Reviewed by Penny Abbott and Adrian Davis

Sacred Vocal Music from 18th-Century Switzerland: Meyer, Schmidlin, Bachofen, Walder (Guild GM CD 7248)

‘The organ continuo playing throughout is of a very good standard… the organist [Gavin Roberts] plays in a controlled and unobtrusive manner whilst at the same time providing excellent vocal support – a truly enjoyable conclusion’– The Organ



Charles Wood – Anthems Volume 1 (PRCD 754)

‘Organists Gavin Roberts and Timothy Uglow provide, besides accompaniments, a well-played selection from Wood’s Sixteen Organ Preludes’– BBC Music Magazine



Leonardo Leo – Sacred Music (Miserere mei Deus & motets) (ASV GAU 226)

‘With able soloists‚ mostly from the choir’s own ranks‚ and accomplished work by the organists‚ the performances are further helped by a matching clarity in the acoustics and sound production work by Michael Ponder’– Gramophone

‘Highly recommended.’ – Fanfare Magazine USA


Poulenc – Stabat Mater (and Litanies à la Vierge Noire) with the choirs of St John’s and Clare Colleges (DVD OA 0817D), Gavin Roberts (Organ)

‘performances are excellent, and they are sensitively filmed.’ – Gramophone